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Cold War (2018) 1080p YIFY Movie

Cold War (2018) 1080p

Zimna wojna is a movie starring Joanna Kulig, Tomasz Kot, and Borys Szyc. A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched, set against the background of the Cold War...

IMDB: 7.93 Likes

  • Genre: Drama | Music
  • Quality: 1080p
  • Size: 1.41G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 85
  • IMDB Rating: 7.9/10 
  • MPR: Normal
  • Peers/Seeds: 39 / 331

The Synopsis for Cold War (2018) 1080p

A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in the 1950s in Poland, Berlin, Yugoslavia and Paris, the film depicts an impossible love story in impossible times.


The Director and Players for Cold War (2018) 1080p

[Director]Pawel Pawlikowski
[Role:]Agata Kulesza
[Role:]Borys Szyc
[Role:]Tomasz Kot
[Role:]Joanna Kulig


The Reviews for Cold War (2018) 1080p


Wonderful performances but...Reviewed byTimWil014-1Vote: 8/10

Saw this at a screening last night in NYC.

The film is visually striking and the two central performances are quite wonderful but it just didn't quite add up for me. I suppose seeing Alfonso Cuaron's incredible film Roma (also stunningly shot in black and white) the night before may have unfairly influenced my view of this one. Still, I wanted more from this film and ultimately didn't get it-I'm referring to the sort of character/plot/setting details which fly fast and furious throughout Roma but which rarely seem to appear in Cold War.

The director Pawel Pawlikowski and leading lady Joanna Kulig (who really is superb playing a very difficult character) were at the screening for a Q&A. Both were extremely charming and articulate. I enjoyed Pawlikowski revealing that he advised Kulig to bone up on the 1940s siren Lauren Bacall to capture her character's "sarcasm." My main issue with the film came to the fore when Kulig said one of the reasons her character felt out of place during the film's midsection was because Zula missed her "family" of folk singer/dancers. The problem is we never actually SAW her interact with them like a "family." In fact we only saw her interact with one of them once during the audition sequence very early in the film and even then it was for an opportunistic reason.

I do recommend this film, though. Many of the set pieces involving music are striking and there are many images (especially Miss Kulig floating in a lake) which will stay with you for a long time. I'll definitely see it again when it lands on Amazon Prime.

Memorable experienceReviewed bywcieslikowskiVote: 10/10

This movie is great. It shows story of ordinary people in difficult times. It helps You imagine what were people going through in eastern Europe not more than 70 years ago. There was no one shot of violence, yet at the end You should grieve. The movie is fullfiled with beautiful music from past times. Actors performance is very memorable. Great movie!

Its just OK. Don't fall into the trap of "4:3 ratio + BW = amazing" like the director wants you toReviewed byrabbitmoonVote: 5/10

Pawel Pawlikowski was so flimsy and uncertain during the making of his "The Woman in the Fifth" (Ethan Hawke, 5.4 on IMDB) that the film ended up a huge commercial fail. It seems he's then continued his run of 85ish minute films by sticking to very simple stories told in frosty black and white and the 4:3 ratio. Why, they must be incredible arthouse films! Well, no.

This is not Kieslowski or Tarkovsky. There is no greater meaning or depth to be unpicked from a frame. The more you look, the more annoyingly shallow and superficial the film feels, like its been carefully constructed to hit enough notes to look like a worthy film. You can almost feel the director thinking "how can I shoehorn in a smoky jazz scene?" then "how can I shoehorn in some rock'n'roll dancing?" but there's precious little relevance to such scenes.

Its not a bad film. Its often nice to look at, and its fairly engaging (although it abruptly throws you out of a scene with the episodic 'jump ahead a few years' structure, when you don't feel like the scene you just saw was particularly relevant or substantial).

But what's the point? Love can't be stopped? Obsession transcends time and circumstance? Please. It gets to a point where it stops being relatable and never approaches the level of emotional maturity or intelligence that it pretends. I just don't trust or think that the director really has a clue what he's doing, and is simply throwing a lot of stuff at the wall in the hope that it 'looks' like a film. But its not more than the sum of its parts - the closer you look, the emptier it becomes.

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