Drive (2011) 720p YIFY Movie

Drive (2011)

A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.

IMDB: 8.071 Likes

  • Genre: Crime | Drama
  • Quality: 720p
  • Size: 707.75M
  • Resolution: 1280*544 / 23.976fps
  • Language: English
  • Run Time: 100
  • IMDB Rating: 8.0/10 
  • MPR: R
  • Peers/Seeds: 9 / 220

The Synopsis for Drive (2011) 720p

A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.


The Director and Players for Drive (2011) 720p

[Director]Nicolas Winding Refn
[Role:Irene]Carey Mulligan
[Role:Shannon]Bryan Cranston
[Role:Driver]Ryan Gosling
[Role:Bernie Rose]Albert Brooks


The Reviews for Drive (2011) 720p


-Cinema fantastic-Reviewed byMonsieurBisonVote: 10/10

A truly beautiful and hypnotic film.

I've seen the last few Nicholas Winding Refn films, and while I liked both Bronson and Valhalla Rising a lot, they were both "difficult" films, in that both structure, pacing and tone were bound to alienate some people, and of course they were both marketed as somewhat mainstream films while being anything but.

Part of the irony of Refn's situation is that he makes films about "Primal" man- and these protagonists invariably commit acts of great violence on those around them. This violence puts his films into the genre categories that Hollywood recognises and promotes to the public, resulting in trailers for Refn movies that grossly misrepresent the sophistication of the actual film. In that way, Valhalla's intense, slow-burning and almost dialogue-free mythic exploration of our savage past can be repackaged as a "Vlad the Viking goes to the New World" action movie.

Yet both Valhalla and Bronson were highly "directed" films, revealing a very strong hand in control of the material. And so, I was extremely curious to see what Refn would do with the material, and whether he would be able to rein in his sometimes obtrusive style in order to allow the story more room to breathe... I shouldn't have worried. I think the director has managed to balance a genuine artistry with the demands of the genre in a way that is rarely, if ever, achieved. I absolutely loved it. Just stay the hell away from the trailer, as it reveals far too much, and again, misrepresents the film's true "feel".

Driver has a tone of wry amusement at everything around it, much like Gosling's half-smirk, pivoted on the toothpick perpetually in the corner of his mouth. Schmucky gangsters and mob clichés provide some laughs, but the heart of the film is Gosling's portrayal of the unnamed? main character and his sweet, underplayed romance with Mulligan and her young son.

While an ethereal synthesizer-pop soundtrack provides an at-times tender,at-times mythic undercurrent, the car chases and action scenes, when they come, are tense, brutal and brief- far more Eastern Promises than The Transporter. Mulligan plays her character all trembly, wet-eyed, sweet and innocent and is swept away by Gosling's quiet strength and self-assured charm, while Gosling speaks little and remains a mystery to the end, though we never doubt his fundamentally good nature.

The seasoned supporting cast are all very fun, except maybe for Kendricks who is relegated to a fairly irrelevant part. Of course, this is really Gosling's film, and he inhabits the character completely, turning what could be a straightforward Hollyood tough-guy role into a complex and contradictory character, self-confident and physical, yet clearly lonely and possessed with a certain peculiarity and stillness, almost reminiscent of De Niro's Travis Bickle.

Visually the film is lush and gorgeous. Like Michael Mann, Refn and his cinematographer are able to instill LA with a sense of life and character that most directors just fail to do. Unlike Mann however, Refn opts for warm orange tones over Mann's hard blues, and in one particularly beautiful sequence the familiar LA cliché of driving down the dry LA river is taken to an unexpectedly joyful conclusion.

Despite its absolute craftsmanship, Driver is probably not for everybody, which makes me sad. People who prefer bald-headed muscle men slugging and wise-cracking their way into their wallets should of course stay away, as this bears very little resemblance to the standard Hollywood fare associated with the genre, and they might well be disappointed.

But for me, Driver was sweet, surreal, mythic, tense, fun, hilarious, revolting, and surprising. See it because it will make you a better person.

And so, 10 out of 10, because it deserves it.

Emperors New ClothesReviewed byjasper-173-283049Vote: 1/10

Seriously people, don't believe the ridiculous hype about this movie, it is without doubt one of the worst movies I have seen in the last year. My wife and I are huge movie fans and watch on average 5 new films a week, 10 minutes into this film we are both looking at each other with a 'is this movie for real' look on our faces, and by the end we realised we had just wasted 2 hours of our lives we would never get back again.

Rylan Gosling is a total joke from start to finish, his total lack of any script is just the start, in fact by the end of the film (and yes we did make it to the end, somehow) I was glad he still wasn't saying much, and the little that did come from it was just clichéd nonsense. This man cannot do the strong silent brooding type at all, especially not wearing a daft white satin jacket with, wait for it ..... a scorpion on the back, and a toothpick in his mouth.

The plot, what there was of it, is so old and tired and so overdone, the whole film was completely predictable. None of the characters have any depth or interest to them, probably due to the lack of any script. Even Carey Mulligan, who is a real favourite of ours, was wasted and looked rather uncomfortable in her rather dull character - the single mum at home. And the clichés just continued at Ryan became the child's new 'best friend'.

The violence is also completely at odds with the rest of the film. It is extreme, graphic and vicious, which is fine and dandy if the rest of the film demands it, unfortunately this film doesn't and it looks like it's been thrown in just for shock value.

I really cannot understand why such a piece of second rate and boring drivel has got such amazing reviews on here and from some critics. Just before this we watched The Good, The Bad, and The Ugly again, now that has everything this movie doesn't but seems to be trying so hard to emulate - characters that aren't black and white, minimal dialogue to add to the tension, and stunning camera-work to keep you captivated.

Save your time and money and watch this classic instead, Drive has nothing to offer but annoyance and the WORST soundtrack I've ever heard.

Pretentious crapReviewed byPeter OlssonVote: 7/10

Could they possibly have made any cut any longer, I don't think so. Gosling makes Keanu Reeves look like Oscar material.

Really liked when he revved through all gears, but he still goes like 35, LOL.

High speed car chase and doing a 180 going in reverse, not much left of your gear box there.

When he finally gets rid of the last person connecting him to the money, he leaves it in a parking lot? Yeah, there will sooner be Martians walking the streets than that ever happening.

Pretentious crap.

8.0 rating, that's the joke of this century. Only shows that the saying, "A million flies can't be wrong -Eat Sh.t", still holds true.

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