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Fight Club (1999) 1080p YIFY Movie

Fight Club (1999) 1080p

An insomniac office worker and a devil-may-care soap maker form an underground fight club that transforms into a violent revolution.

IMDB: 8.9242 Likes

  • Genre: Drama | Drama
  • Quality: 1080p
  • Size: 1.85G
  • Resolution: 1920*800 / 23.976fps
  • Language: English
  • Run Time: 139
  • IMDB Rating: 8.9/10 
  • MPR: R
  • Peers/Seeds: 32 / 520

The Synopsis for Fight Club (1999) 1080p

A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.


The Director and Players for Fight Club (1999) 1080p

[Director]David Fincher
[Role:Marla Singer]Helena Bonham Carter
[Role:The Narrator]Edward Norton
[Role:Tyler Durden]Brad Pitt


The Reviews for Fight Club (1999) 1080p


A unique filmReviewed by ([email protected])Vote: 10/10

Fight Club is one of the most unique films I have ever seen. In addition to presenting a rather fresh take on life, FC also presents its material in a fresh way. My main interest in the film is in that, in my opinion, it does not present characters for us to think about. Rather, it presents actions for us to think about. I will say that I cannot recall *ever* having been "asked" by a film to both suspend my disbelief the way this film asks in its third act AND at the same time come to terms with an understanding that there is no room--or need--for disbelief. Perhaps these comments will not make sense to the average movie goer who will dismiss this film--and, unfortunately, its premise--as another hollywood flick filled with gratuitous violence. I'd go as far as to say that this film is not about violence. It is about choices. It is about activity. It is about lethargy. It is about waking up and realizing that at some point in the past we've gone to the toilet and thrown up our dreams without even realizing that society has stuck its fingers down our throat. I would argue that anyone caught, at some point in their lives, between a rock and a hard place--anyone who has reached bottom on a mental level--anyone who has uttered to themselves "Wait, this isn't right. I would not do/say/feel what it is that I just did/said/felt... I do not like this. I must change before I am forever stuck being the person that I am not." These people, they will know what I'm talking about. These people will not only recognize the similarities between Edward Norton's character and themselves--they will be uncomfortably familiar with him. These people will appreciate Fight Club for what it is: a wake up call that we are not alone. As David Berman once said: "I'm afraid I've got more in common with who I was than who I am becoming." If this sentence makes any sense to you, go see Fight Club. You won't regret it. L.

This is a very important movie.Reviewed byMega-Mike ([email protected])Vote: 5/10

When I first saw the previews for this movie, it had me interested. A movie about guys who fight - it didn't seem to deep, but I thought it would provide entertainment. I had heard buzz about, a few of my friends raved about it for a few days, and I was convinced. I should see this movie. I went to my local video store and picked up the last remaining DVD. I popped it in, sat in amazement until the last credit rolled, and then watched it again. And again. And again. This movie is dark and disturbing, however, it is equally smart and stylistic. I found it hard to watch at points, but I couldn't turn my eyes away. Fight Club makes many bold statements against the modern consumer-driven society, and produces Norton's best performance and Pitt's second best (12 Monkeys). Norton plays an average-Joe who is living a dead-end life. He needs something to change his life. Tyler and Marla will take care of this, and that is all I want to give away. Other comments will tell you more, but I suggest you let it all sink in while watching. As for it's ending, it doesn't rival 'The Sixth Sense' - it blows it away. One of the best movie endings I've seen. Even better if you're a Pixies fan. As for it being important, don't worry. You will be hearing about this movie. When 'A Clockwork Orange' came out, it was met with mixed reviews, deemed too dark and violent, and is now considered a classic. These two movies share quite a bit in common - both were based on great books. If you haven't read either, get to it. Politicians will use this movie as a demonstration of careless and consequenceless violence in movies, and as a perfect example of what today's youth are being influenced by. Watch this movie, and watch it again with some of your more intelligent friends. 10 out of 10.

a dangerously brilliant film that entertains as well as enlightens.Reviewed byJ.D. Lafrance ([email protected])Vote: 10/10

"Fight Club" an aggressive, confrontational, often brutal satire that is quite possibly a brilliant masterpiece. Taking the "Choose life," anti-consumerism rant at the beginning of "Trainspotting," and carrying it to its logical -- albeit extreme -- conclusion this is a big budget, mainstream film that takes a lot of risks by biting the hand that feeds it. The film's narrator (Edward Norton) is an insignificant cog in the drab, corporate machine, dutifully doing his job and what he's told without question. He's an insomniac slave to his IKEA possessions and only finds joy in going to as many self-help/dealing with terminal diseases sessions as he can. It provides him with an escape from his sleepless nights. That is, until Marla Singer (Helena Bonham Carter), a trashy chain-smoking poser, enters his life and upsets his routine. The narrator also meets Tyler Durden (Brad Pitt), a charismatic soap salesman whose straightforward honesty, candor and sleazy lounge-lizard outfits are a breath of fresh air. One night, after the two men have bonded over beers, Tyler asks the narrator to hit him. At first, it seems like an absurd request but after they pound on each other for a bit, a strange feeling overcomes them. They feel a kind of release and satisfaction at inflicting pain on one another. In a world where people are desensitized to everything around them, the physical contact of fighting wakes them up and makes them feel truly alive. Others soon join in and pretty soon Fight Club becomes an underground sensation. However, it becomes readily apparent that Tyler has more elaborate plans than just organizing brawls at the local bar. David Fincher has taken the dark, pessimistic worldview of "Seven" and married it with the clever plot twists and turns of "The Game" and assembled his strongest effort to date. "Fight Club" is a $50+ million studio film that remains true to its anti-consumer, anti-society, anti-everything message -- right up to the last, sneaky subliminal frame. What makes "Fight Club" a subversive delight is not only its refreshing anti-corporate message but how it delivers said message. As Fincher has explained in interviews, you don't really watch the film but rather download it. Its structure is extremely playful as it messes around with linear time to an incredible degree. The narrative bounces back and forth all over the place like a novel, or surfing on the Internet -- even making a hilarious dead stop to draw attention to itself in a funny, interesting way that completely works. Yet Norton's deadpanned narration holds everything together and allows the viewer to get a handle on what's happening. This is the way films should be made. Why must we always have to go through the A+B+C formula? "Fight Club" openly rejects this tired, clearly outdated structure in favour of a stylized frenzy of jump cuts, freeze frames, slow motion and every other film technique in the book that only reinforces its anarchistic message. A film like this would have never been greenlighted by a major studio if Brad Pitt had not been attached to the project. Once you see the film, it becomes obvious that he was the only choice for Tyler Durden. Like he did with "Kalifornia" and "Twelve Monkeys", Pitt grunges himself down and disappears completely into his role to a frighteningly convincing degree. During many of the brutal fight scenes, he is transformed into a bloody, pulpy mess that'll surely have the "Legends of the Fall" fans running for the exits. It is an incredible performance -- probably his best -- for the simple fact that he becomes the character so completely. If Pitt has the flashy, gonzo role, Edward Norton is his perfect foil as the seemingly meek yet sardonic narrator. It's a deceptively understated performance as the last third of the film reveals but Norton nails it perfectly. He is clearly our surrogate, our introduction into this strange world and his wry observations on our consumer-obsessed culture are right on the money. They are the perfect setup for Tyler's introduction and his view on the world which is clearly a call to arms of sorts, a manifesto that rejects the notion that we are what we own. And ultimately, that is what "Fight Club" tries to do. The film is a cinematic punch to the head as it challenges the status quo and offers a wakeup call to people immersed in a materialistic world where those who have the most stuff, "win." I think that Fincher's film wants us to tear all that down, reject corporate monsters like Starbucks and Blockbuster, and try to figure out what we really want out of life. It's almost as if the film is suggesting salvation through self-destruction. And it is these thought-provoking ideas that makes "Fight Club" a dangerously brilliant film that entertains as well as enlightens.

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