Meet Me in St. Louis (1944) 1080p YIFY Movie

Meet Me in St. Louis (1944) 1080p

Meet Me in St. Louis is a movie starring Judy Garland, Margaret O'Brien, and Mary Astor. In the year leading up to the 1904 St. Louis World's Fair, the four Smith daughters learn lessons of life and love, even as they prepare for a...

IMDB: 7.62 Likes

  • Genre: Comedy | Drama
  • Quality: 1080p
  • Size: 2.16G
  • Resolution: / fps
  • Language: English
  • Run Time: 113
  • IMDB Rating: 7.6/10 
  • MPR: Normal
  • Peers/Seeds: 3 / 1

The Synopsis for Meet Me in St. Louis (1944) 1080p

St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair.


The Director and Players for Meet Me in St. Louis (1944) 1080p

[Director]Vincente Minnelli
[Role:]Mary Astor
[Role:]Margaret O'Brien
[Role:]Judy Garland
[Role:]Lucille Bremer


The Reviews for Meet Me in St. Louis (1944) 1080p


Wonderful Judy classicReviewed byrichspencVote: 10/10

I really don't understand a few people giving this film and Judy Garland such ugly reviews. Some people just hate anything old fashioned, I guess.

This film is beautiful, and Judy Garland is gorgeous. Are a few people blind? And Judy's singing is absolutely wonderful. I must say though, that most reviews I've read, I've almost never seen anyone badmouth Judy, just on a couple reviews for this film. Other bad reviews I've read, people are usually picking at other things about Judy's films but are still saying they love Judy and her singing and they still think she's pretty.

Anyway, enough about other reviewers. I think Judy is beyond pretty, she's beautiful and heavenly. And her singing is also beautiful and heavenly. I love old fashioned classics such as this film and Judy's other films. The wonderful songs in this film are "the trolley song", " the boy next door", "have yourself a merry little Christmas", and the title song. Judy and the other characters here are great including a very young Margerate O'Brien. This film and Judy are pure, sweet, wonderful, old fashioned, classic good cheer from Hollywood's golden age.

No Exactly a Christmas MovieReviewed byChristmas-ReviewerVote: 7/10

BEWARE OF FALSE REVIEWS & REVIEWERS. SOME REVIEWERS HAVE ONLY ONE REVIEW TO THEIR NAME. NOW WHEN ITS A POSITIVE REVIEW THAT TELLS ME THEY WERE INVOLVED WITH THE MOVIE. IF ITS A NEGATIVE REVIEW THEN THEY MIGHT HAVE A GRUDGE AGAINST THE FILM . NOW I HAVE REVIEWED OVER 300 HOLIDAY FILMS & SPECIALS. I HAVE NO AGENDA

The backdrop for Meet Me in St. Louis is St. Louis, Missouri in the year leading up to the 1904 World's Fair.

It is summer 1903. The Smith family leads a comfortable upper-middle class life. Alonzo Smith (Leon Ames) and his wife Anna (Mary Astor) have four daughters: Rose (Lucille Bremer), Esther (Judy Garland), Agnes (Joan Carroll), and Tootie (Margaret O'Brien); and a son, Lon Jr. (Henry H. Daniels, Jr.). Esther, the second eldest daughter, is in love with the boy next door, John Truett (Tom Drake), although he does not notice her at first. Rose is expecting a phone call in which she hopes to be proposed to by Warren Sheffield (Robert Sully).

Esther finally gets to meet John properly when he is a guest at the Smiths' house party, although her chances of romancing him don't go to plan when, after all the guests are gone and he is helping her turn off the gas lamps throughout the house, he tells her she uses the same perfume as his grandmother and that she has "a mighty strong grip for a girl".

Esther hopes to meet John again the following Friday on a trolley ride from the city to the construction site of the World Fair. Esther is sad when the trolley sets off without any sign of him, but cheers up when she sees him running to catch the trolley mid journey.

Even though the there is barely a story-line the film works. IT gets a tad slow here and there but Margret O'Brien steels every scene she is in. Judy Garland however is always a delight to watch. If you like her in this then make sure to see "In the Good Old Summertime".

This film was beautifully filmed. If you can watch it on a Blu-ray.

The Happiness of Not Moving--At Least for NowReviewed byloken-1Vote: 10/10

One of the greatest movie musicals, and thus one of the greatest American movies, "Meet Me in St. Louis" tells a story that may appear insultingly inconsequential: a happy family living in turn-of-the-century St. Louis considers moving to New York, but decides against it. Yet Vincente Minelli, working with a wonderful cast and unusually intelligent songs, takes this story and makes it the one really convincing screen refutation of Tolstoy's claim that all happy families are alike, and indeed perhaps the only fully rounded and persuasive representation of a happy family in the history of movies. From the small family conflict over the quality of homemade ketchup that begins the movie, to the agony over moving at the end, the Smiths are a collection of distinctive, vibrant and at times almost incompatible characters bound together not only by love but by a contagious, and very particular, sense of fun.

Minelli's genius for musical numbers in interior spaces--most notably the great party in the Smith home near the beginning of the movie--is complemented here by two unforgettable outdoor sequences, Judy Garland's matchless "Trolley Song" and Tootie's Halloween adventure in the neighborhood, where she shows such vulnerability, such courage,and in the end such diabolical lack of conscience that no one can fail to love her. These outdoor scenes protect "Meet in St. Louis" from the claustrophobia that so frequently limits the power of "family" dramas.

Tootie, at five, is the youngest of the five Smith children, and as played by the great child actor Margaret O'Brien, she is also the center of most of the fun. Her relationship with her older sister Esther (Judy Garland) is captivating in its joy, complexity, and ultimately in its sadness. For even though the catastrophe (!) of moving to New York is narrowly avoided, Esther will still leave home for life with the boy next door, and the powerful unity of these lucky people will ultimately give way to other claims of new love, new suffering and new duty. The happiness the Smiths knew while living together will only increase the pain of each parting. We're blessed, though, to have glimpsed their particular brand of happiness at its glorious peak.

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